Thursday, September 12, 2013

Debunking 5 Myths about Conference Appointments


As many of us make arrangements to head toward Indianapolis for the ACFW Conference, I want to share this blog I wrote a few years ago about what I learned from my first conference experience. Hope it helps those of you who are fighting bundles of nervous at the thought of meeting with editors and agents! There's really no need to be scared going into these appointments... think of them as a chat rather than a pitch, with the goal of making a connection.


Remember that high school feeling of getting caught talking in class? Maybe it wasn’t your fault. Maybe your friend in the seat beside you wanted to cheat, and you were actually saying, “No, I will not give you my answers,” but all the teacher heard was your mumbling, and next thing you knew, you were rambling on and on in some kind of ill-formed explanation of your merit.
Now imagine a line of authors feeling that exact same way–fidgeting their hands, grasping their one sheets, and considering breaking out super-sized bags of dark chocolate, the Christian version of taking shots. Maybe that’s not so hard for you to imagine. Maybe you’ve been one of those authors.
But is that the way it has to be?

Several years ago, I interviewed the now-retired Etta Wilson for my conference tour blog. Something she said about new authors struck me, and I still think about it often: “Believe in your work and be kind. We’re all in this together, and the writing and publishing of wonderful reading is a high calling for all of us.”



What if instead of panicking over our 30 second pitches as if we’re being graded, we stepped outside ourselves and remembered that ultimately we’re all in this together? How would the landscape of appointments change? Because really, editors and agents want to buy quality fiction just as much (or more) than you want to sell it.

One moment in particular at my first conference changed the entire experience for me, and in some ways, it even changed the way I look at writing. That moment was when Colleen Coble introduced me to Ami McConnell, and Ami hugged me. Hugged me.

Now, you might not understand the dynamic implications of this. See, Ami has edited almost every one of my favorite books, and I had to restrain myself from gushing so I didn’t sound like a suck-up. She probably thought nothing of hugging me, but to me it made all the difference. When I attended my appointment with her the next day, I wasn’t so scared anymore. Did she say my book was the best she’d ever seen and that she wanted to buy it immediately? No. She said I wasn’t ready yet. And you know what? I wasn’t. I realize that now. But I still came away from the appointment excited because of her encouragement.

So if my personal anecdotes aren’t enough, here are several myths I think we should debunk in striving toward professional relationships:

1) Editors and agents are monsters.
They are people too. Be nice, and don’t treat them like a one-dimensional way to get your written words disseminated. As an instructor, I know all too well how it feels when people simply want something out of you.

2) Editors and agents want to see you fail.
Actually, they want to see you succeed. Why do you think they chose this profession? Most editors and agents love the idea of finding great new talent.

3) Editors and agents are going to be mean.
At conferences like ACFW, rarely are editors and agents ever going to be unkind. Be prepared that they might offer constructive feedback, but that’s only to help you grow.

4) Editors and agents enjoy being stalked.
Okay, so most of you don’t actually believe this one, but I thought it still worth mentioning. Do not follow your favorite editor back to his or her room in hopes you’ll get to pitch. It’s perfectly fine to approach that person in a normal setting, but don’t creep them out. If you do this, don’t be surprised to see other editors running away from you.

5) Editors and agents will forget you.
I’ve saved the biggest point for last. Editors and agents have very good memories. Just because someone doesn’t request your manuscript during this conference–and most won’t–does not mean he or she will forget about you. In fact, the opposite is usually true, so that street goes both ways. Throw a fit, and that’s what you’ll be remembered by. Be gracious, and when you have another project to pitch next year, you’ll be remembered by your kindness and willingness to cooperate, which can get you far.
When all is said and done, though, just remember that you are passionate about your story and your characters. Let that passion shine through, and with some determination, you’re sure to eventually find a good match for your work.

Are you going to be at ACFW this year? How do you fight the nerves?


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Ashley Clark writes romantic comedy with southern grace. She's dreamed of being a writer ever since the thumbprint-cookie-days of library story hour. Ashley has an M.A. in English and enjoys teaching literature courses at her local university. She's an active member of ACFW and runs their newcomer's loop. When she's not writing, Ashley's usually busy rescuing stray animals and finding charming new towns. You can find Ashley on her personal blogFacebook, Pinterest, and Twitter. She is represented by Karen Solem.

1 comment:

Karen Schravemade said...

This is great, Ashley! I LOVED those anecdotes about your experiences. And "the Christian version of taking shots" made me laugh. These are great tips, so true and so encouraging to look at it from this perspective.